معاونت:بین الاقوامی صوتیاتی ابجد/کولونی

یہ ایک صفحۂ معلومات ہے جو قوانین ویکیپیڈیا کے ذیل میں برادری کے اتفاق رائے کو ظاہر کرتا ہے۔ چونکہ بذات خود یہ کسی ہدایت یا حکمت عملی کا حصہ نہیں ہے، بلکہ یہ دیگر ویکیپیڈیا ہدایات اور حکمت عملی کا ضمیمہ ہے؛ اس لیے براہ کرم حالیہ صفحہ اور متعلقہ حکمت عملی صفحہ کے درمیان تضاد کی صورت میں اصل حکمت عملی صفحہ کو ترجیح دیں اور اسی کا حوالہ دیں۔

سانچہ:Inline audio The charts below show the way in which the بین الاقوامی صوتیاتی ابجد represents کولونی لہجہ pronunciations in Wikipedia articles.

See Colognian phonology for a more thorough look at the sounds of Colognian.

حرف صحیحs
IPA	Colognian examples	English approximation
[[\|b]]	Ball, dubbel	ball
[[\|d]]	dann, Saddel	done
[[\|dʒ]]	Dschungel, wadschele	jungle
[[\|f]]	Faß, Waffel	fuss
[[\|ɡ]]	waggele	gust
[[\|h]]	hatt, Buhai, Bah	hut
[[\|ɧ]]	Schimie, Weechter, biestig	bush
[[\|j]]^[1]	Jack, wääje	yuck
[[\|ʒ]]^[1]	Geniere, nuschele	pleasure
[[\|k]]	Kiß, frickele, Pek	kiss
[[\|l]]	Lack, welle	luck
[[\|m]]	Mai, summe, öm	may
[[\|n]]	Noht, Jewenner, Sun	not
[[\|ŋ]]	senge, lang	long
[[\|p]]	Peck, Appel, Kapp	peck
[[\|ʁ]]	Rään, ware	guttural r
[[\|s]]	faste, Baß	bus
[[\|ʃ]]	schäl, Mösche, Bösch	bush
[[\|t]]	Toon, kötte, Bütt	tone
[[\|ts]]	Zupp, Mätze, Fuz	pizza
[[\|tʃ]]	tschö ^ⓘ, letsche, Matsch	chat
[[\|v]]	Vas, övver	vast
[[\|w]]	wat	will
[[\|x]]	Woche, Loch	Scottish loch
[[\|z]]	Sunn, lässe	zone
[[\|ʔ]]	\|it, be\|erdije, perdü\|	the "catch" in uh-oh!

Stress
IPA	Colognian examples	English approximation	Explanation
[[\|ˈ]]	Bahnhoffstrohße	intonation	primary stress
[[\|ˌ]]	Bahnhoffstrohße	intonation	secondary stress

مصوتs
IPA	Colognian examples	English approximation
[[\|aː]]	Plaat, Bar	bra
[[\|a]]	Ax, spack, Oppa	bra
[[\|eː]]	Elend, Feez, Kannapee	somewhat like play
[[\|e]]	enjonn, seze	bed
[[\|ɛː]]	Ääpel, Pääd, nää ^ⓘ	like bed, but long
[[\|ɛ]]	Eck, hätt, dä!	bed
[[\|iː]]	Ieß, Pief, di	eat
[[\|i]]	Idee, Dialäk, mi	city
[[\|ɪ]]	in, Friko, bei	sit
[[\|ɔː]]	Ooß, Pooz, booh	bore
[[\|ɔ]]	offe, doll, mer	on
[[\|œː]]	Ööschel, pöze, Blööh	somewhat like urgent
[[\|œ]]	Öschel, Pött
[[\|øː]]	Ööz, kööze, bleu
[[\|ø]]	Öllije, Kött, pö-a-pö
[[\|oː]]	Ooschel, koot	go
[[\|o]]	op, lovve, do	hot
[[\|ʊː]]	Pattevuel	took
[[\|ʊ]]	us, Hunk, do	took
[[\|uː]]	uze, Pluute, Schmu	ooze
[[\|u]]	Ussel, Fuz	took
[[\|yː]]	üüßerlech, süht	somewhat like cute
[[\|y]]	üvver, müje
[[\|ʏ]]	üch, tüntele, Späu
aɪ	ei, Eiter, Weihnaach, zwei	I, idle, byte, tie
aʊː	Auto, Strauß, mau	out, tower, how
aʊ	Auflach, Zauß, Schabau	out, tower, how
eɪ	ei, eins, Zeidung, sei	alien, mania, bay
iɐ̯	Liehr	similar to dear
oʊ	Auge, Baum, hau	similar to over, stow
ɔʏ	Europpa, Schnäuzer, Heu	similar to oil, boy
øʏ	Sträuf, Späu
Vowels with Schleifton^[2]
[[\|a]][[\|ˑ]]	Ahle, Bahn	bra
[[\|e]][[\|ˑ]]	Beet	somewhat like play
[[\|ɛ]][[\|ˑ]]	äänz, Nähl	bed
[[\|i]][[\|ˑ]]	ieser, Dier, auwieh!	eat
[[\|ɔ]][[\|ˑ]]	Ohß, Pohl, jo	bore
[[\|œ]][[\|ˑ]]	Öl, Pöhl	somewhat like urgent
[[\|ø]][[\|ˑ]]	ömjonn, Rösje, Bröh	somewhat like urgent
[[\|o]][[\|ˑ]]	Ohm, Dooch, Nivoh	go
[[\|ʊ]][[\|ˑ]]	Bunn	took
[[\|u]][[\|ˑ]]	Uhr, Bud, esu	ooze
[[\|y]][[\|ˑ]]	Üül, Lüüß, perdü	somewhat like cute
aɪˑ	Eier, Weiher, Pavei	I, idle, byte, tie
aʊˑ	zaubere, Kakau	out, tower, how
eɪˑ	eine, zeije, Schnei	alien, mania, bay
ɪˑɐ̯	Zottier	similar to dear
oʊˑ	Aug, sauge, Hau	similar to over, stow
ɔʏˑ	Häuche, Häu	similar to oil, boy
øʏˑ	Äujelche, Bäum, neu ^ⓘ
Reduced vowels
[[\|ɐ]]	verdonn, Vatter	fun
[[\|ə]]	e, en, bedon, de	about

Notes

^ ^ا ^ب The phone [ʒ] occurs also often as a positional allophone of [j] when a final [ʃ] or [ɧ] of a word stem is either followed by a vowel of a grammatical suffix or becomes voiced under the influence of a liaison or due to coarticulation. Under normal circumstances, [j] is used to transcribe these.
↑
The symbol "[[|ˑ]]" marks the segment preceding it, beginning with the last preceding vowel, as bearing Schleifton. Schleifton is a tonal accent, unknown to English, having various properties:
- Stress. Unless its syllable has a primary or secondary stress mark, Schleifton always carries a 3rd level stress.
- Length. Usually, the length of a single vowel with Schleifton is between 'long' and 'short'. An English example would be between "poll" and "Paul" in length.
- Suprasegmentality. Although basically put on vowels and diphthongs, Schleifton may extend into, or occasionally move onto sonorants following them.
- Tonal shape or contour. There are broad variations, following a somewhat complicated scheme of positional, segmental, suprasegmental, stress, and syntactic dependencies. As a rule of thumb the contour always ends at a different pitch than it begins with, it always has at least a rise+fall or fall+rise pattern, sometimes both, and it always incorporates changes of volume with a quick attack at the beginning, followed by a release which may result in a brief phase of silence, and a return to normal volume at the end.
There are three circumstances in which Schleifton accents occur:
1. Syntax. In rare occasions, a Schleifton may appear in a sentence or phrase as a result of the rules governing stress patterns or melodies of speech.
2. قواعدِ زبان. Some Schleiftons are grammatical. Their presence or absence within some words distinguishes واحد اور جمعs from Singulars, or comparisons in the same way, Umlauts or endings may do with other words.
3. Lexeme. Other Schleifton occurrences distinguish otherwise unrelated words from each other.

Bibliography

Fritz Hoenig: Wörterbuch der Kölner Mundart. 2nd edition, 1905. Köln.
Georg Heike: Zur Phonologie der Stadtkölner Mundart. Eine experimentelle Untersuchung der akustischen Unterscheidungsmerkmale. In:Deutsche Dialektgeographie, volume57, Elwert-Verlag, Marburg 1964
Claudia Froitzheim: Artikulationsnormen der Umgangssprache in Köln. In:Continuum, Schriftenreihe zur Linguistik, volume2. Narr, Tübingen, 1984, آئی ایس بی این 3-87808-332-7 (Also Dissertation at the کولون یونیورسٹی, 1983).
Adam Wrede: Neuer Kölnischer Sprachschatz. 12thedition, 1999. 3volumes, 1168pages. Greven Verlag, Köln. آئی ایس بی این 3-7743-0243-X
Christa Bhatt, Alice Herrwegen: Das Kölsche Wörterbuch. 2ndedition, 2005. J. P. Bachem-Verlag, Köln. آئی ایس بی این 3-7616-1942-1

For another simpler صوتیہ writing system of West Middle German and Meuse-Rhenish including Colognian, see:

Peter Honnen (presented following the previous works of Fritz Langensiepen): Rheinische Dokumenta: Lautschrift für Rheinische Mundarten, Mundartdokumentation im Rheinland. Rheinland-Verlag, Köln, 2ndedition, 1987, آئی ایس بی این 3-7927-0947-3

[jejotallophones-1] ا ^ب The phone [ʒ] occurs also often as a positional allophone of [j] when a final [ʃ] or [ɧ] of a word stem is either followed by a vowel of a grammatical suffix or becomes voiced under the influence of a liaison or due to coarticulation. Under normal circumstances, [j] is used to transcribe these.

[2] The symbol "[[|ˑ]]" marks the segment preceding it, beginning with the last preceding vowel, as bearing Schleifton. Schleifton is a tonal accent, unknown to English, having various properties:
Stress. Unless its syllable has a primary or secondary stress mark, Schleifton always carries a 3rd level stress.

Length. Usually, the length of a single vowel with Schleifton is between 'long' and 'short'. An English example would be between "poll" and "Paul" in length.

Suprasegmentality. Although basically put on vowels and diphthongs, Schleifton may extend into, or occasionally move onto sonorants following them.

Tonal shape or contour. There are broad variations, following a somewhat complicated scheme of positional, segmental, suprasegmental, stress, and syntactic dependencies. As a rule of thumb the contour always ends at a different pitch than it begins with, it always has at least a rise+fall or fall+rise pattern, sometimes both, and it always incorporates changes of volume with a quick attack at the beginning, followed by a release which may result in a brief phase of silence, and a return to normal volume at the end.
There are three circumstances in which Schleifton accents occur:
Syntax. In rare occasions, a Schleifton may appear in a sentence or phrase as a result of the rules governing stress patterns or melodies of speech.

قواعدِ زبان. Some Schleiftons are grammatical. Their presence or absence within some words distinguishes واحد اور جمعs from Singulars, or comparisons in the same way, Umlauts or endings may do with other words.

Lexeme. Other Schleifton occurrences distinguish otherwise unrelated words from each other.

[3] Stress. Unless its syllable has a primary or secondary stress mark, Schleifton always carries a 3rd level stress.

[4] Length. Usually, the length of a single vowel with Schleifton is between 'long' and 'short'. An English example would be between "poll" and "Paul" in length.

[5] Suprasegmentality. Although basically put on vowels and diphthongs, Schleifton may extend into, or occasionally move onto sonorants following them.

[6] Tonal shape or contour. There are broad variations, following a somewhat complicated scheme of positional, segmental, suprasegmental, stress, and syntactic dependencies. As a rule of thumb the contour always ends at a different pitch than it begins with, it always has at least a rise+fall or fall+rise pattern, sometimes both, and it always incorporates changes of volume with a quick attack at the beginning, followed by a release which may result in a brief phase of silence, and a return to normal volume at the end.

[7] Syntax. In rare occasions, a Schleifton may appear in a sentence or phrase as a result of the rules governing stress patterns or melodies of speech.

[8] قواعدِ زبان. Some Schleiftons are grammatical. Their presence or absence within some words distinguishes واحد اور جمعs from Singulars, or comparisons in the same way, Umlauts or endings may do with other words.

[9] Lexeme. Other Schleifton occurrences distinguish otherwise unrelated words from each other.

[10] Syntax. In rare occasions, a Schleifton may appear in a sentence or phrase as a result of the rules governing stress patterns or melodies of speech.

[11] قواعدِ زبان. Some Schleiftons are grammatical. Their presence or absence within some words distinguishes واحد اور جمعs from Singulars, or comparisons in the same way, Umlauts or endings may do with other words.

[12] Lexeme. Other Schleifton occurrences distinguish otherwise unrelated words from each other.

[1]

[2]

د ب ت آئی پی اے کلید
افریکانز البانوی امہری عربی مصری حجازی تونسی آرامی آرمینیائی آسامی آستوریائی آسٹریلوی زبانیں آزربائیجانی باسک بیلاروسی بنگالی بربر بریٹن بلغاری برمی کاتالان چینی مینڈارن کینٹنی تائیوانی ہاکیئن کارسیکائی چیک اورسلوواک ڈینش فارسی دوتھراکی ڈچ انگریزی انگریزی لہجات قدیم انگریزی اسپرانتو استونیائی اکستریمادوری فجی فنش فرانکو-پروینسال فرانسیسی فریسی زاترلانڈ مغربی گالیسیائی ترکمان جارجیائی جرمن جرمن المانی یونانی گوارانی گجراتی ہیٹی کریول ہوائی عبرانی ہندی مجارستانی آئس لینڈی مالے انوکٹیٹوٹ انوپیاک آئرش اطالوی جاپانی خودئیو-ہسپانوی کنڑا کیرن کشمیری قازق خمیر کلینگون کوریائی کؤری-وینی کردی لاؤ لاطینی لیٹویائی لاز لتھووینیائی معاونت:بین الاقوامی اصواتی ابجدیہ/لگژمبرگی مقدونیائی مالاگاسی مالے ملیالم مالٹی مانچو مینکس ماوری مارشلی مایائی منگرلیئن منگولی میراندی ناواتال ناواہو ناپولی نیپالی شمالی تھائی نارویجن آکسیٹان اڑیہ اورومو اوسیشیائی فارسی پولش پرتگیزی پنجابی کیچوا ریپواری کولونی رومانیائی رومانش روسی سنسکرت کلاسیکی ساردینیائی سکاٹش گیلک سربی کروشیائی شان سلوواک سلووین ہسپانوی سوان سواحلی سوازی سونسکا تگالوگ تائی لو تاجک تمل تھائی تبتی تیگرینیا ترکی ترکمان یوکرینی وینسی ویتنامی والون واندامین ویلزی نگونی یدیش زولو
موازنہ	کے ساتھ انگریزی کنونشن دوبارہ ہجے تلفظ کلید دیگر کے ساتھ دوبارہ ہجے کیلد
تعارفی ہدایات	با ابجدیہ انگریزی بولنے والوں کے لیے کتابچہ طرز: تلفظ